Lowbrow
"Taste has no system and no proofs. But there is something like a logic of taste: the consistent sensibility which underlies and gives rise to a certain taste. A sensibility is almost, but not quite, ineffable. Any sensibility which can be crammed into the mold of a system, or handled with the rough tools of proof, is no longer a sensibility at all. It has hardened into an idea . . . To snare a sensibility in words, especially one that is alive and powerful, one must be tentative and nimble. The form of jottings, rather than an essay (with its claim to a linear, consecutive argument), seemed more appropriate for getting down something of this particular fugitive sensibility."
[Susan Sontag, Notes on "Camp", 1964]
Ilus: Mark Ryden, The Meat Magi, 1997, Oil on canvas, 20" x 24" (+)
[Susan Sontag, Notes on "Camp", 1964]
Ilus: Mark Ryden, The Meat Magi, 1997, Oil on canvas, 20" x 24" (+)
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